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A redneck con artist (Jeffrey Allen) sets himself up as a preacher in a small Deep South metropolis to run his moonshine distillery and clashes with some of locals and a federal agent bent on shutting his operation down despite the fact that H. G. Lewis is thought for his gore movies, he also made some "southern" films and some "moonshine" films. This one is not gore, however it is certainly the other two. And it combined alcohol and religion in a very atypical manner... this cult seems more interested in drinking the "blood of Christ" than worshiping God that is surely no longer the worst movie Lewis ever made, but it's miles a long way from the great. apparently he had get right of entry to to a spare room in a radio station in Oklahoma and filmed maximum of this picture in there. The writing is right, the performing is truly decent, however it nevertheless falls flat. out of doors of Lewis enthusiasts or folks that need to see Larry Drake in his debut role, i'm now not sure exactly what the appeal is probably.
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Master gunslinger Sabata arrives in Hobsonville, a town completely owned by McIntock, a robber baron who is taxing the inhabitants for the cost of future improvements to the town. Or that's what McIntock says he'll do with the money...
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Stark naked man comes out from the sea and begins to walk the streets, interfering in daily episodes, always in search of justice. He names himself Finis Hominis (The End of Man, in latin), and soon becomes sort of a modern Messiah, capable of performing miracles. An adulterous woman and a cheated husband are among his most faithful followers, as well as a group of hippies.
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Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However the more he becomes a credit to his family, the more depressed he becomes. One sociable day, while toasting his friends and family, he decides to drink himself to death.
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In 1920, the anarchist Italian immigrants Niccola Sacco (Riccardo Cucciolla) and Bartolomeo Vanzetti (Gian Maria Volonté) are sentenced to death, falsely accused of a robbery and murder. Indeed they are condemned due to their political beliefs, in one of the most shameful and hypocrite judgments of the human history.
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After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternate reality that bears some similarities to our own, but also has some striking differences. In this other reality the Second World War had never occurred, mankind had not yet traveled into Space and Mt. Everest had not yet been conquered, just to name a few things. Also in this other reality he is no longer a scientist but rather a well known author. He also finds that he is married to a beautiful woman who he instantly falls in love with but who his alternate self never cared for. He has some difficulty convincing anyone that he is not actually who they think he is. With the help of a physics professor who believes his story, he finally manages to convince his 'wife' that he is not the man she knew before. After a personal tragedy in this alternate world, he finds himself back in his own world and desperately trying to locate the woman he fell in love with in the other world. Little does she know, however, that her life depends on him finding her.
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This early Seventies British comedy takes us through seven short stories based on the Seven Deadly Sins. This film is a montage of different styles, from Spike Milligan's mainly silent "Sloth", to the leering Harry H Corbett in "Lust".
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Stan gets a little annoyed when his Mum and Sister keep buying expensive items on hire purchase, but the money he earns for overtime working as a bus driver means that he can afford it... just! His job is secure, as bus drivers are hard to come by, and his overtime prospects are good, until the bus company decide to revoke a long standing rule and employ women bus drivers. Aghast at the thought of no overtime and, therefore, less wages, he joins forces with his long time work colleague Jack to sabotage the new female employees.
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An animated story of an unusual kingdom in which everything and everybody is pointed - except for a young boy named Oblio. Despite his round head, Oblio has many friends. But an evil count, jealous that Oblio is more popular than his own son, says that without a pointed head, Oblio is an outlaw. Along with his faithful dog Arrow, Oblio is exiled to the Pointless Forest. There, he has many fantastic experiences (including encounters with a 3-headed man, giant bees, a tree in the leaf-selling business, and a good-humored old rock). From his adventures, Oblio learns that it is not at all necessary to be pointed to have a point in life. Music composed and performed by Harry Nilsson ("Me and My Arrow"), who also wrote the story.
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A small-town district attorney is saddled with several major investigations, including a gambler's murder and a possible insurance scam.
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Newly married to an older man, Julie returns to Vienna, where a razor wielding slasher is killing women. Jean, her cruel and sadistic former lover, immediately contacts her, certain that only he can satisfy her strange vice. But she rejects him. She also meets George, the handsome cousin of her friend Carol; both are newly rich, thanks to an uncle's death. Julie's husband Neil is away frequently, so George pours on the charm. Meanwhile, it seems that the slasher is now focused on Julie. Bodies pile up, other murders are barely avoided, and George invites her to go away with him. Can it end happily?
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Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.
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A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of Russia's relationship with Yugoslavia, intercut with footage and interviews with Wilhelm Reich and Al Goldstein of Screw magazine. The film applies Reich's theories of Orgone energy and analogies of Stalinism as a form of Freudian sexual repression. Also known as W.R. The Mysteries of the Organism in English subtitled version. Was banned in Yugoslavia shortly after it was made.